Tuesday, April 14, 2009

Whiteside Installation

A project that I have underway that will occur over time is an installation that includes one hundred three-inch-by-three-inch dolomitic limestone blocks arranged into a grid pattern. In this instance by placing one hundred speckled Japanese Coturnix quail eggs on each block it evokes a similar sense of repetitive meditation as seen in the artists’ work that I have mentioned in recent research involving nonpartisan expression. I use squares organized in grid structures to implicate order, to embrace commonality and interconnectivity. Both the egg shell and limestone contain calcium carbonate thus share mineral properties. The limestone's ample weight heaved from the earth in contrast to the almost weightless egg shell released from the body of the delicate quail are architectural constructs within the landscape. There is much more to process regarding symbolic meaning within this installation that I continue to explore.
Note:
Arkansas is the nation’s leading poultry producer, supplying 12.6 percent of all the chickens, turkeys and eggs consumed in the United States. Arkansas people produce nearly 18 million chickens each week. Today, Arkansas poultry is helping to feed people not only in the United States, but also in the Soviet Union, Romania, Japan, Singapore, Hong Kong, and many other countries around the world. Additionally, it took millions of years for the geological cycle to form the Ozark hills that consists of dolomitic limestone, perhaps the oldest geological formation of any size in the United States. Furthermore,within the context of architectural principles the grid is an infrastructure that highly complements the era of ubiquitous digital information and services reaching any device and any location. (Travastino 2)








Bartlett and Winsor in the Studio

Anslem Kiefer

Fredric Jameson

Richard Prince

Barbara Kruger

Cindy Sherman

Louise Lawler

Gehry on Architecture

Frank Gehry

Saturday, April 11, 2009

There may be times when we are powerless to prevent injustice, but there must never be a time when we fail to protest. ~Elie Wiesel

Friday, April 10, 2009

Robert Smithson and Nancy Holt

Richard Serra

Richard Serra

Francois Morellet

Louise Bourgeois

Kennth Noland and Diane Walman

Lucian Freud

Francis Bacon

Alberto Gaicometti

Jasper Johns

Jenny Holzer

Sally Mann

Robert Ryman continued...

Robert Ryman

Undertaken as a form of resistance against the historical forces threatening to penetrate the domain of the work - either from the left, by contaminating its purity with elements of social ideology and utility, or from the right, by corrupting its materiality with the signs of privilege, specialized skill, etc. an artist's withdrawal into the grid of the monochrome is if only implicitly, an acknowledgment of those very forces.(Foster/Krauss vol.2 399)

Mark Dagley

Ligia Clark

Asger Jorn

Ellsworth Kelly

Piet Mondrian

Robert Motherwell

Josef Albers